I’ve mentioned before that we have a very special way of “doing” London, largely because we’ve both lived here and have visited so many times over the years. In short, we’ve perfected a sort of “hanging about” tour. In recent years, that’s meant parking ourselves at a small comfy boutique hotel, then confining most of our activities during the stay to the area immediately around the hotel. The result is a lot of relatively aimless, but very fun strolling about. The pattern is only broken up for two things: a visit to a Gordon Ramsay restaurant and a ticket to some play or show that would be ridiculously expensive in New York or only have a reduced road show cast in San Francisco.
At one point, our home base was the Cadogan Hotel in Sloane Square, once home to Lily Langtry and also the site of Oscar Wilde’s infamous arrest. Unfortunately, there was an unfortunate remodel that took away much of the character. (It’s since been purchased by Earl Cadogan and restored to it’s former Victorian themed glory.) But we moved on to the Knightsbridge Hotel for a few years, largely because of it’s proximity to Harrod’s, Hyde Park and the V&A. In the past year, we’ve yearned for something a little more neighborhoody and have discovered a little pocket area called Fitzrovia with the Charlotte Street Hotel as our base. Surprisingly, the area of Fitzrovia was a place we knew little about — at least as a place called Fitzrovia. See, it’s a little bit Soho, one part Bloomsbury, a tiny bit West End and entirely it’s own thing. The acknowledged center of the area is the Fitzroy Tavern across the street from our hotel. One continuing theme of Fitzrovia through the centuries has been artsy bohemia with non-traditional thinkers such as the Chartists, Karl Marx, Virginia Woolf, Rimbaud, George Orwell, Quentin Crisp, Pink Floyd and Jimi Hendrix living or hanging about the Fitzrovian streets. That tradition continues today as Fitzrovia seems to be a hotbed of digital and social media-oriented agencies, CGI and special effects houses. That tends to keep the cafes, pubs and restaurants around here full of interesting creative types with their smart phones and laptops. It feels a bit like some of the more fun streets in San Francisco. Of course, the big draw for Andy is that his favorite shopping districts — Regent’s Street, Saville Row and Jermyn Street — are in easy walking distance. He was starting to draw the line at parking ourselves so close to museums that he’d be dragged through endless exhibitions. (Although the grandaddy of all museums, The British Museum, is also close by.) So our four days here have been spent wandering around, dashing into a museum and gallery or two, window shopping and soaking up the atmosphere. It’s been a plus that we haven’t had to go down into the Tube at any point. And other than two short cab rides, have walked everywhere.
So yes, there has been a lot of shopping. (More on that later.) But Andy didn’t escape the museums either. When I was a student here — probably sensing that I would one day marry an Englishman with a low tolerance for galleries — I determined to visit every museum in London. And I thought I did. But apparently I missed the Wallace Collection.

There are a surprising number of masterworks. But like many Brits, their taste also embraced various paintings of famous people. (This is the young Victoria.)

Also paintings of dogs, dead animals, and family members with their dogs and holding dead animals were well represented.

And several Wallace kids must have been sent on the Grand Tour. Because there were rooms and rooms of Canalettos — which were churned out like postcards back in the day.

Also a really cool armour collection in the basement. From everywhere from Persia to Renaissance Italy and Germany.

Andy got very bored very quickly, but I loved seeing all these paintings displayed in someone’s house. Even if that house was decorated in a pretty over the top Rococco style.
The many rooms of Watteau finally did Andy in and it was off for shopping. People who know me, know that I shop once a year, whether I need it or not, and usually at REI. So while Andy contemplated bespoke suits, evaluated the high-end shoes and shirts in the various arcades and on Saville Row, I used the opportunity to check the State of the Terrier in England. I have stated before that England leads the world in terrier-themed merchandise, as befitting the nation from which most terrier breeds originated.
But the motherlode of terrier merchandise was in a wonderful little place called the Burlington Gallery at the end of Saville Row. If you have to ask the price of these Victorian terrier paintings, you can’t afford them. Believe me, you can’t afford them.

But if you act like a serious customer, the nice gallery assistant will give you a catalog and full color prints to “help you make your decision”.

Speaking of “you can’t afford it”, one of the arcades features a shop with solid silver dog statues like this one.
Did I mention that all this running around was done “on the hoof” without the need to cab it or take the Underground? That’s the beauty of Fitzrovia. And coming back to the charming Charlotte Street Hotel is an adventure in itself.
Did I mention that I LOVE Fitzrovia?
Are you done at the Charlotte St Hotel for this trip? If not, please check out who did the painting over the fire place in the library. Looks a lot like Kay Lynne Sattler’s work.
I’ve checked out. But I could always email them.
Four days is not nearly enough. But better than none.
I own a Kay Lynne Saatler painting and Iive in Spain- this looks lik her work.
Here is her site: kaylynnesattler.com
I am very familiar with Kay Lynne Sattler’s paintings. I saw her work in Cannes.
I didn’t have a chance to see who did the painting. But the owner and decorator of the hotel has a book out that details all the things she’s done to her boutique hotels. It’s called Kit Kemp (which is her name). I saw it in Barnes and Noble the other day. Next time I’ll pick it up and see if it identifies that painting.